I had a week of (journalistic) work at the first Frieze New York art fair recently. At the end of my visit, in order to get a cheaper ticket home, I stayed an extra day in the city before an early flight the next morning. A day in New York could turn out expensive for people good at the retailing thing, what with the shopping opportunities people lead me to believe the city has, making the whole exercise pointless.
But it is free to walk across the Brooklyn Bridge, and along the High Line, the raised park along a disused industrial railway line, and around the 9/11 Memorial. Later, I walked 30 blocks from the Guggenheim Museum to meet New York Urban Sketcher Melanie Reim for tea.
I had an idea of going to the cinema in the evening, but I was a bit aimless, and there was plenty going on in the streets, so I drew and drew around Times Square as the sun went down. It's the way New York rears straight up at you, so the sky becomes a very different element of the composition, compared with, for instance, the way it often is in London. There's one hell of a lot of drawing to be done in New York City.
I had an idea of going to the cinema in the evening, but I was a bit aimless, and there was plenty going on in the streets, so I drew and drew around Times Square as the sun went down. It's the way New York rears straight up at you, so the sky becomes a very different element of the composition, compared with, for instance, the way it often is in London. There's one hell of a lot of drawing to be done in New York City.