Timberyard Old Street: show extended

The group show of drawings, including four by me, and Urban Sketchers Thomas Corrie, Isabelle Laliberté, Jhih-Ren Shih, Katherine Tyrrell and Zhenia Vasiliev at the Timberyard cafe, Old Street, London, has been extended for another few weeks – the final closing date is Saturday 12 July.

Timberyard, 61-67 Old Street, London EC1V 9HW
until 12 July
Open Monday to Friday 8am-8pm, Saturday and Sunday 10am-6pm
www.timberyardlondon.com
@jameshobbsart

Town hall to cemetery: a Stoke Newington drawing tour

Last Sunday, as part of Stoke Newington Literary Festival, in the part of north London where I have lived for the past 23 years, I was joined by an evolving cast of about 50 artists as we drew our way along Church Street, the neighbourhood's epicentre. This was partly to publicise my book, Sketch Your World, but also because it is such a good place to draw: it is historic, crumbling, gentrified, leafy, literary, organic, unstuffy, siren-filled, unrelentingly urban and many other things, too. And the arrival of summer was timely.

The great thing about this kind of event, of course, is that although you can stand on your own and draw any day of the week, doing it as a group means you stop and look at things and in places you may not otherwise. It's never easier to sit on a kerbstone and draw than when you're in a group. The usual fantastic range of abilities and experience were among us, but for those of us new to drawing on location, this was a chance to blend in and feel confident as we worked. For about an hour and a half, as we worked our way along from the town hall, people seemed to be drawing everywhere you looked...

Our mission, in blazing sun throughout, ended in the shade and birdsong of Abney Park cemetery, where we cooled off, and shared and compared our endeavours – thanks once again to Seawhite of Brighton, who kindly supplied its Eco sketchbooks for the event.

Thanks for coming, if you did. And thanks to the team at Stoke Newington Literary Festival for inviting me to do this. Sketch Your World is a book about getting out and drawing rather than sit around discussing, and there's a chance a similar event may take place at next year's festival.

Drawing event at Stoke Newington's literary festival

Stoke Newington Church Street

I'll be at the Stoke Newington Literary Festival on Sunday 8 June from 12 noon for a special free drawing event. To take part, simply come to the town hall foyer with your drawing equipment – a limited number of free Seawhite sketchbooks will be available while stocks last – draw the many hotspots of Stoke Newington, meet other artists, share your drawings online and find out more about the burgeoning Urban Sketching community. It's relaxed, free and you can come and go as you like. It's good for adults and children, all abilities, all levels of experience, all everything, in fact. Find out more about it here.

Signed copies of my book Sketch Your World will be on sale.

Many thanks to Seawhite of Brighton for generously providing the sketchbooks.

There's more information about the literary festival at www.stokenewingtonliteraryfestival.com. There are plenty of great events taking place from 6 to 8 June.

London sketchcrawl: Saturday 24 May

Old Street roundabout

There is a London Urban Sketchers sketchcrawl on Saturday 24 May 2014, meeting at 11am at Timberyard cafe, Old Street, where there is currently a show of drawings by five of the London group (including me, actually). The idea is to then head east towards Shoreditch to finish around 3.30pm at the Shoreditch High Street overground station. Want to come? Need more information? There's more at the London Urban Sketchers website. It's free, relaxed and everyone is welcome — just bring something to draw on and with. And stay as long as you want.

Timberyard, 61-67 Old Street, London EC1V 9HW
www.timberyardlondon.com
@urbsketchlondon

Signing Sketch Your World: 17 May

I'll be signing copies of Sketch Your World and bringing along a selection of my sketchbooks to a drop-in session at Cass Art, Islington, on Saturday 17 May from 2pm to 4pm. Cass Art kindly lent me art materials for product shots in the book.
It's free. Come and talk drawing. Bring some sketchbooks. There's more info here.
Cass Art, 66-67 Colebrooke Row, London, N1 8AB
Angel tube, buses 19, 38, 56, 73, 341, 476

Reprinted and on shelves

Sketch Your World has been reprinted and is on shelves and in online warehouses again now. I dropped in on the recently renovated Tate Britain – through the main entrance past groups of art students sitting on the steps, which suddenly transported me back to my student days – to visit its bookshop where copies are on sale. (It has a different cover if you are in the US or Asia.)

There's more information about the book at its Facebook page. Let me know if you have problems getting hold of a copy.

Visit my new-look website

My website www.james-hobbs.co.uk has been spruced up and updated, with more links, new images and a design that echoes this blog. My thanks to Colin Bowling for this. 

On show with Urban Sketchers London

The Timberyard hang

I have four drawings in a group show of work by London's Urban Sketchers at Timberyard cafe, Old Street, London, until the end of June. Thomas Corrie, Isabelle Laliberté, Jhih-Ren Shih, Katherine Tyrrell and Zhenia Vasliev are co-exhibitors at the cafe, which is a popular place for freelancers and e-workers to settle in for the day. That may well be where you are as you read this. The coffee is good, isn't it?

Timberyard, 61-67 Old Street, London EC1V 9HW
29 March-30 June
Open Monday to Friday 8am-8pm, Saturday and Sunday 10am-6pm
www.timberyardlondon.com
@jameshobbsart

Drawing Jay Scott and the Find

I spent an enjoyable evening last night at a gig by Jay Scott and the Find at the Underbelly, Hoxton Square, where we'd been invited to draw by the band's management. This is not my usual choice of subject; as with drawing in the BBC studios in January, it was a challenge to draw a scene that wouldn't usually get me reaching for the marker pen, but that is no reason to back down. The low and changing light levels, the liveliness of the audience, and perplexing problem of drawing while holding a bottle of beer all contributed to the outcome.

Our thanks to Jay Scott and the Find, who have a new album out soon.

Coming home on the M4

Last weekend we drove down to Devon to meet up with old friends to remember and celebrate the life and times of Jonathan Young, who had been a good mate since we met at school in 1972. He died from a heart attack in Italy last November, where he had lived in beautiful rural seclusion with his wife and five children for several years.
The reunion, of around 40 of us in the back room of a pub where we were refreshed by beer and curry as JY would have wanted, brought together people we hadn't seen for more than 30 years, and a feast of unrestrained nostalgia for what really were good times. I won't go on about what a kind, funny, lovely man he was, or about how much he is missed by his family and friends, but understand how true this is.
I drew this as N drove us back home to London along the M4 motorway as we dwelt on the weekend and our memories of him.

Lisbon nights

We grab a few days away over the school break, and travel to the coast of Portugal and then south to Lisbon. I've been given a set of four warm grey double-pointed Promarker pens, and am still not sure how to use them to best effect.
This view of the square at Rossio from across the road from our hotel one evening (while the others slept, read and revised) is a case of trying to find out how I can use them with the black pens that go everywhere with me. That feeling of now knowing quite what you're doing can be an enjoyable one. Which pen do I reach for when I put another down? What makes things go forward and back? When to use the chisel point or the bullet point? How much tonal range is needed? Which restaurant are we eating at tonight?

Who's in Sketch Your World?

The works of more than 60 international artists are included in Sketch Your World: illustrators, architects, students, painters, film-makers, printmakers, Oscar-winning animators, senior citizens, lecturers, reportage artists and people who just like to draw in sketchbooks. Here's a complete list, with links to the websites of those who have them:

Fernando Abadía, Adebanji Alade, Michael Anderson, Adolfo Arranz, Seoungjun Baek, Anthony Banks, Josephine Birch, Julie Bolus, Dave Black, George Butler, Gabriel Campanario, Emma Carlisle, Simon Carter, Matthew Cencich, Angela Charlton, Thomas Corrie, Daniloz, Liza Dimbleby, Juliet Docherty, Trudi Esberger, Alexandre Esgaio, Anna-Louise Felstead, Ken Foster, Marina Grechanik, Lachlan Goudie, Rydal Hanbury, Craig Harper, Virginia Hein, Miguel Herranz, James Hobbs, Carol Hsiung, Yanuar Ikhsan, Amer Ismail, Barry Jackson, Caroline Johnson, Asuka Kagawa, Brendan Kelly, Merlyna Lim, Maria Lopes, Joan Mas, Don McNulty, Mario Minichiello, Colin Moore, Max Naylor, Patrick Osborne, Chichi Parish, Alex Raventós, Pippa Ridley, Simone Ridyard, Marjut Rimminen, Fraser Scarfe, Rolf Schröter, Inma Serrano, Craig Shannon, Suhita Shirodkar, Poppy Skelley, Naomi Strauss, Paul Sutliff, Katherine Tyrrell, Lis Watkins, Steve Wilkin, Daniel Zalkus, Toni Zhao, along with photographs from Fran Fernández and Liz Steel.

Inma Serrano and Caroline Johnson in Sketch Your World

Thanks to people for their kind messages and reviews of Sketch Your World, now out in bookshops. It's available at the usual online stores and high street bookshops, including Waterstones and Barnes & Noble.
Here are drawings by Inma Serrano and Caroline Johnson (and a smaller one by me) included in the book. I'll be posting more about the 60 different artists whose work is included in the book over the coming weeks.
You can find out more about the book at www.facebook.com/sketchyourworld or follow me on Twitter @jameshobbsart.

Drawing on air at the BBC

I was invited to BBC Broadcasting House in central London this weekend to take part in Radio 4's Saturday Live, to talk, along with Manchester-based artist Simone Ridyard, about urban sketching and the sketchcrawl phenomenon. It's an easy-going programme with live guests and prerecorded elements. Tracey Thorn of Everything But the Girl fame, environmental activist Laurens de Groot and I sat around the table with the presenters Richard Coles and Aasmah Mir for 90 minutes to be gently grilled.

After the contribution from Simone and me (about 15mins in), I drew the scene as the programme continued, one of which is now shown on the programme's website as a time lapse drawing, condensed into about a minute. It's loose, and everyone, the subjects included, can be forgiven for not recognising Laurens on the left and Tracey on the right. (I showed it to her later and told her she is shown as such a blur I was afraid she might sue: "Don't worry. I'm not a suer," she said.)

The time flew by, with chatter breaking out around the table every time we went to a prerecorded segment. And having a photographer looking over my shoulder as I drew was a bit distracting. The hexagonal desk was a mass of paper cups, sketchbooks, microphones, clocks, monitors and unidentifiable bits of electronic stuff, through which the two presenters weaved their way as if it was nothing more than a chat around a kitchen table.

There's a link to the programme here. Look out for the gallery of work by London Urban Sketchers, too.

BBC Radio 4: it's a beautiful thing.

On Radio 4's Saturday Live

Did you hear Saturday Live on BBC Radio 4 today? Simone Ridyard and I were interviewed about Urban Sketchers, and the joys of drawing together in sketchcrawls.
• My book Sketch Your World is published now and available online and at good bookshops
• The London Urban Sketchers are exhibiting at Timberyard cafe, 7 Upper St Martin's Lane, London, until March. News of our next sketchcrawl will be posted at www.urbansketchers-london.blogspot.co.uk
• I have a small display of drawings and prints on show at Skylark Gallery 2, on the first floor of Oxo Tower Wharf, on London's South Bank, until the end of February. I'm there signing books on Friday 31 January from 6pm to 8pm, so come along
• Visit the wider Urban Sketchers community at www.urbansketchers.org
• And follow me on Twitter @jameshobbsart and on Facebook: www.facebook.com/sketchyourworld
• Oh, and there are more of my images on my Flickr site. That's definitely the last bullet point.

Farewell to Skylark: showing until 31 January 2014

Skylark 2 at Oxo Tower Wharf overlooks the Thames
between the London Eye and Tate Modern

I have a small selection of prints and drawings on sale in a display at Skylark Gallery 2, which is on the first floor of the distinctive Oxo Tower Wharf on London's South Bank, until 31 January. Guess what? Signed copies of Sketch Your World are also on sale for £9.99.
I will be at the gallery all day on Friday 31 January, when it will stay open until 8pm for a wine-fuelled book signing event — everyone is welcome.
February will be, sadly, my last month at the artist-run space, at which I have been showing my work for the past five years. I'll miss it: but more about that later.
Tues-Sun 11am-6pm
www.skylarkgalleries.com

My must-take sketchbook kit

There's an interview with me about the art materials I use in sketchbooks on the Parka Blogs website, in which I run through my not-very-extensive list of must-take products.
If you've read it, let me know what you think, or what you use.

Sketch Your World published in the UK

Sketch Your World is published in the UK today. It's about drawing in sketchbooks, and includes the drawings and words of about 60 international artists who talk about how they go about it. Architects, reportage artists, students, journalists, illustrators, lecturers, retired people, Oscar-winning animators, people who squeeze drawing into lunch breaks and holidays... they are all here.
It's published by Apple Press and costs £9.99. It comes out in the US later this month.
There's more about it at www.facebook.com/sketchyourworld.

Sketch Your World on Facebook

OK, so I haven't been quick to embrace the world of Facebook, but my forthcoming book Sketch Your World (published in the UK on 2 January 2014 and in the US on 10 January 2014), now has its own page.
I'll be posting more information there as I get it, so  please visit, like it (if you do), and say hello.
It's at www.facebook.com/sketchyourworld.
Happy new year!

In time for Christmas

I have digital prints of my work on sale at Skylark Galleries, Oxo Tower Wharf, on London's South Bank, until 31 January 2014 (closes 3pm on Christmas Eve), and two small paintings in a selling group show of postcard-sized works (including this painting, Return: Devon to Paddington, above) at the Frame Factory, Cross Street, Islington, London N1 2BG, also until 31 January.

Saved: Runtzmere, N16

Beckmere and Runtzmere, the two ponds in Clissold Park, Stoke Newington, are named after two men who helped save the grounds of the old house from the developers 125 years ago. Well done, those men, I can't help thinking from this contemplative spot.

Sketch Your World published in Asia

The Asian English edition of Sketch Your World, published by Page One, is already available, I've been informed. It has another cover, making a set with the US and UK versions, and features a drawing by Spanish Urban Sketcher Miguel Herranz from his Barcelona apartment. I like this drawing.

You can see a review of the book, and a video flip-through of its pages (there really has to be some publishing term for this) at Parka Blogs.

There's more about Miguel and his work here.

Postcard-sized works at the Frame Factory, N1

There is a Christmas exhibition of postcard-sized works that I have some work in that has just opened down the road a bit from where I live. Thanks to the artist, framer and fellow Stoke Newington dweller Kim Scouller for inviting me to take part. The show continues at the Frame Factory, 20 Cross Street, Islington, London N1 2BG until 31 January 2014. (My painting is at the bottom left of the poster.)

Departures: Pescara airport, Italy

Drawn from the departure lounge of Pescara airport, Italy, looking out on the low clouds and snowy mountains of Abruzzo, and thinking of my late friend, Jon Young, and his family who I had just visited, a few hours away to the north.

Discover Art: out soon

Discover Art, a brand new 116-page magazine for artists, is available in WHSmith and all good newsagents from 15 November — or maybe you've already picked up a copy at the Art Materials Live show at Birmingham's NEC, which runs from 7 to 10 November 2013.
This issue, edited by me and available through much of next year, includes interviews with BP Portrait Award winner Susanne du Toit and Olympic digital artist Tim Vyner, highlights the work of a variety of artists in different media, offers advice by top blogger Katherine Tyrrell on social media for the artist, looks inside the studios of a variety of artists, and gives the opportunity to win a five-day painting holiday. All — and more — for £4.99.
Do you do the Twitter thing? Follow it here:
www.twitter.com/discoverart1

Sketch Your World: coming soon

UK cover...

An advance copy of Sketch Your World has arrived at my door. It contains the work of about 60 international artists, including mine, and is due to be published in the UK and US in January (they have different covers, shown here).

It focuses on the way a variety of artists go about drawing on location and what they do with those drawings: urban, rural, night-time, digital, people, architecture, in cafes, sketchcrawls, blogging...

I'll say this more than once, but my thanks again to the artists who kindly let me use images from their sketchbooks. A few of them are familiar faces from Urban Sketchers, but most are not. One of the most enjoyable elements of writing the book was selecting drawings by some of my favourite sketchbook artists. I will post a list of links to all the contributing artists in time.

...and the US cover

Did I say how happy I am with the way it has turned out? I have now. My thanks to the great team at RotoVision who made this come about. I'll blog and tweet more about the book nearer to publication time.

Mary Hobbs 1934-2013

The Guardian has published an obituary of my mother, who died in the summer. Its "Other Lives" obituaries feature people who may not have been well known, but who have made a difference (which we all do, really).
You can read it here.

Big Draw month at the Geffrye Museum, London

James Hobbs, Geffrye Museum, Hoxton, London

Newfoundland urban sketcher Joy Hecht was in London the other week, which prompted an afternoon's drawing group that meandered from the Museum of Childhood in Bethnal Green to the Geffrye Museum in Hoxton. Fellow cyclist and artist Olha Pryymak and I sat and drew in the gardens of the old almshouses waiting for the rest of the group to gather, at which point we all headed for the cafe.
It's the Big Draw month (until 3 November) in the UK – and 14 other countries. There's a lot of drawing going on around the place currently. This is how it should be, to be honest.

From Paddington station to Devon

Scenes from the Paddington to Devon train.

Cycling in aid of Leukaemia & Lymphoma Research

My brother Simon and I are cycling 52 miles on Sunday 16 September on the London Bikeathon in aid of Leukaemia & Lymphoma Research – along with about 7,000 other cyclists.

Interested in sponsoring us? In case you are, here is my JustGiving page to make it easy and to tell you a bit more about why we are doing it. If you can't, just think beautiful thoughts on Sunday.

www.justgiving.com

Thanks, in advance.

Empty chair

The empty chair of my late mum. Long life to Dad!

Sketchcrawling around Spitalfields

Christ Church Spitalfields, London

I met up with Urban Sketchers Pete Scully, Sue Pownall, Dave Black, Olha Pryymak and Evelyn Rowland – and many more – at Pete's sketchcrawl around Whitechapel and Spitalfields this week, some of them fresh from the USk symposium in Barcelona. London is still reeling from having a summer on its hands – a novel concept and the first in living memory for many – meaning that the conditions were in stark contrast to the sketchcrawl last winter at Tate Modern when temperatures were sub-zero and huskies were compulsory. 

Commercial Street, London

Pete's route took in a variety of places related to Jack the Ripper, the serial killer in 1880s London, ending up at the Ten Bells pub in on Commercial Street, where we compared drawings and supped restorative liquids, next to Hawksmoor's fantastic Christ Church Spitalfields. It's a part of town that is culturally rich, creative, graffiti-adorned, historic, poor and beautiful. It isn't perfect, but it's exactly what makes London such a great place. The East End has a lifetime of drawing in it – and that's why it was a great place for Pete to arrange a sketchcrawl.

Sketchbook show moves on in Victoria, Canada

The sketchbooks at Victoria's Central  Library

The exhibition of sketchbooks in Victoria, BC, Canada, has moved on from Oak Bay library to the city's Central Library, where it will be on show until the end of this month. Two of my sketchbooks are on display, along with those by Gabriel Campanario (Seattle), Virginia Hein (Los Angeles), Sigrid Albert (Vancouver), Luis Ruiz (Malaga), Kumi Matsukawa (Tokyo) and Matthew Cencich (Victoria), who curated the show.

Greater Victoria Public Library Central Branch is at 735 Broughton Street, Victoria, BC, Canada, and the display continues until the end of July 2013. Opening hours: Mon, Fri, Sat 9-6, Tues-Thurs 9-9. www.gvpl.ca

There's more about the earlier show here. 

Scene from a moving train

There is something stimulating about drawing from a moving train, as I did on recent trip from London to Devon. It is quiet time, perfect for getting out a sketchbook, but I can get tired of drawing the carriage scenery and fellow passengers. Drawings of the fleeting landscape can only take a few seconds: there is little that is constant or unchanging about the landscape on the Paddington to Exeter route, at least. The focus jumps to and fro, and you just have to sit and wait until an interesting view comes along for a few seconds or so, and make the most of it when it does.
I used a combination of sketchbook drawings to make this one, on a small canvas (about 12x15cm) with acrylic and marker pen, using a process of drawing and painting sections out until something emerged. It is the first time I've tried this. It won't be the last.

Vauxhall, London: when things go wrong

There are probably — in fact, I know there are — lovely bits of Vauxhall tucked away behind the transport maelstrom in its centre. Buses, trains and cars battle it out. A helicopter even fell from the sky here recently, with tragic consquences. Cyclists have to take a back seat, to pick a bad metaphor. It's a landscape that has gone very wrong, and yet it's somehow very appealing to draw.

Gabi Campanario's Week in Sketches

Drop in on Gabriel Campanario's The Week in Sketches, which features a selection of drawings from around the world. One of mine is among today's [when it was called The Day in Sketches], Tuesday 18 June — along with some by my favourite sketchbookers.




www.theweekinsketches.com

Sketchbook show in Victoria, Canada

Canadian urban sketcher Matthew Cencich has curated a small show of sketchbooks at a local library in Victoria, British Columbia, and included a couple of my London sketchbooks among those by six other international artists: Gabriel Campanario (Seattle), Virginia Hein (Los Angeles), Sigrid Albert (Vancouver), Luis Ruiz (Malaga), Kumi Matsukawa (Tokyo) and Matthew Cencich (Victoria).

All the books are around A5 size, so it is good to see the drawings at their actual size, rather than as variable images on our screens and tablets. And I can't help thinking that libraries, those most fantastic of places, are a great place to exhibit sketchbooks.

The books are showing at the Oak Bay Library, 1442 Monterey Avenue, Victoria, BC, until 30 June.  There's a post by Matthew about the display on the Urban Sketchers blog.

Cycling along the Northumberland coast to Scotland

From the National Cycle Network Route 1 along the Northumberland coast

As it happens, I did use quite a bit of the kit I took on my recent cycling trip, urged on by a tweet sent by Gabi Campanario: "We all need freedom from the tyranny of our most common sketching tools." I usually take a pen and a sketchbook and find that this is more than enough, but I squeezed a few more things into the panniers last week, and this had a liberating effect. Sometimes things can seem more complicated than they really are.

The view from room 2 at the Linton Hotel, East Linton, Scotland

The National Cycle Network Route 1 between Newcastle and Edinburgh is great, with sections off-road and never too far from the sea. Around the Druridge Bay Country Park, with the sun shining, it was spectacular. The only "traffic" and sense of urgency came from birdspotters — on foot — who were on their way to see a great reed warbler that had been blown off course and spotted nearby. The Northumberland coastline is fantastically unspoilt and free from major inclines. The wind turning around to blow from the north didn't help — pedalling downhill isn't what you expect to have to do — but the rain held off, and the pub lunches and the occasional pit-stop in a cafe en route helped keep us going.

The Shoreline cafe, Craster, Northumberland

There was even time before the train home from Edinburgh for a quick whiz around the David Batchelor exhibition at the Fruitmarket Gallery (until 14 July). It's titled "Flatlands", a name to gladden this cyclist's heart.

Packing it in

I'm about to leave for a few days of cycling, and although there's not too much space in the panniers, what do I need to take apart from a few bits of clothes and some things to draw with?

I make a small pile of equipment to take - except I have this sneaking feeling that I'll end up using what I usually do: a thick black pen and a sketchbook. I like how pared down and simple these two are: black on white has an enduring appeal for me. The pile I intend to take is hardly extravagant — look at it. Taking a waterbrush and watercolour set is hardly going overboard, but how much will I actually use?

@jameshobbsart

The Walkie-Talkie: new on London's skyline

London's drive for a distinctive skyline continues unabated. Following on from the Shard and the Gherkin, taking shape now are the Walkie-Talkie and the Cheesegrater. (The half-finished Helter Skelter is currently on hold, and the Scalpel is in the pipeline, as it were.)
The eyecatching feature of the Walkie-Talkie, at 20 Fenchurch Street, is that it curves outwards towards its top, so the highest floors are larger than those lower down, giving it the appearance of a giant telephone receiver popping up through the city's buildings. Designed by Rafael Viñoly, it is due to open in April 2014, and while most of us usually have to make do with the external appearances of towers in the financial district, this time there will be a "skygarden" open to the public. The plan is that it will be free, but require advanced booking. We'll see how that goes. Would it have received approval without the garden?
Finding it to draw presented the usual problem with tall buildings in a city: the closer you get, the harder it is to see. At Leadenhall Market, from where I drew this, the view opens up and the curve of the building's sides becomes apparent, as if any interest in accurate perspective has gone out of the window. Turning around, and the rising Cheesegrater was visible, looming over Leadenhall Market. (More here on this one soon.)
At 38 floors, the Walkie-Talkie is hardly the world's tallest (the Burj Khalifa has 164), or even London's (it barely makes it into its top 10), but it looks as if it will have an overpowering presence on the scrum of tall buildings north of London Bridge. The crowd is getting thicker. Old friends—and enemies—are getting lost in the midst of it.

St Paul's Cathedral

I stopped by St Paul's Cathedral on the way back from work yesterday to draw while preparations continued for the funeral of Margaret Thatcher later today. I drew this still astride the bike, helmet and cycling clips still on: this, I find, encourages a focus on the essentials.